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Showing posts with label ghosts. Show all posts
Showing posts with label ghosts. Show all posts

Tuesday, November 7, 2023

Danger at Every Door

 



There is danger at every door
ghosts and corpses for our travail
all our heroes and our villains
come at us with their sharpened knives.

There is power, wonder working power
in the blood of the Lamb. 


On the edge of a great abyss,
lost at sea in a rowboat,
we are grieving, we are wounded, 
we are wasted but we'll return. 

And the blood of all our enemies, 
it will never satisfy, 
a crown of thorns on his head
the god of heaven, he will forgive. 


Monday, January 1, 2018

Let’s Dig Up the Skull of Geronimo


We was sittin’ in a booth at Denny’s on account of David George getting us kicked out of Lindsey’s Tavern. Lindsey didn’t think that David George was funny anymore; he’d covered the toilets (in both the men’s and the ladies’ restrooms) with clear plastic-wrap and waited for the splashing and the screaming.

“It was a joke!” David George pleaded.

“How old are you? 13?” Lindsey asked before he kicked us out. We used to go to Lindsey’s after our shift at Alvin’s Speedy Lube and Parts, but we didn’t work there anymore either.

“You know what we should do?” David George asked me.

“What?” I asked around a mouthful of hash-browns and scrambled eggs.

“Somethin’ big. Somethin’….” He trailed off, his eyes far away, looking at something a hundred miles away at the back of his imagination. I knew that look. He got that look whenever he had an idea. And he always had an idea.

“I dunno’, David George. Maybe we should go back to the Lube and Parts. Maybe we could get our jobs back.”

But David George had an idea. A big one. “We should find Geronimo’s head,” he declared abruptly. Loudly. I spit coffee across the table. Other folks in the restaurant turned to stare at us.

“No, David George. You remember what happened when we tried to dig up the body of President Lincoln…” That was an adventure I wished David George hadn’t gotten us into. “No. We can’t be doin’ these kind of things. Grave-robbing’s nasty work. Let’s go back to the Lube and Parts. Or to Lindsey’s. Maybe he’ll let us in if you…”

“No. This is different,” he said. “I recognize that our attempt to disinter the body of the 16th president of the United States was misguided, but this isn’t grave robbing. It’s… it’s… it’s historical preservation is what it is. It’s cultural restoration. It’s important. And besides, Geronimo’s skull has already been dug up and stolen. We’d just be finding it and returning it. And if it should bring us some cash in the process, well, that’s good too.”

David George told me how he heard the story when he was a boy at summer camp in Enid, Oklahoma, how the famed Indian warrior had died at Fort Sill in Oklahoma and was buried there in an unmarked grave. Then during World War I, as the rest of the world was being buried in blood and bullets and mud and muck, six members of the Yale secret society – the Skull and Bones were at Fort Sill as U.S. Army volunteers. These Bonesmen - including Prescott Bush, future father of President George H. W. Bush, and grandfather of President George W. Bush – dug up the corpse of the famous Apache and stole the skull, along with some of his other bones.

“The Skull and bones took it, right! The freakin’ Skull and Bones, dude. Prescott and his pals found the unmarked grave and dug it up in the middle of the night.”

“Then what?”

“Well, presumably Prescott Bush held the relics for the group and passed them, along with their totemic power, to his son and grandson.”

“You’re serious?” I asked as I stabbed what remained of my eggs. I’d lost my appetite.

“How else would you explain the election of W. in 2,000?”

I put down my fork and picked up the ceramic coffee mug that held the cold remains of my coffee; it’d had been a long time since our waitress had come by. “This sounds dangerous, David George. Won’t you wake up a poltergeist or some other trope?”

“No. no.” he laughed. “In fact this is the reverse of the movie. The Skull and Bones left the cemetery and took the headstone… Well… the head, anyway.

I put the coffee cup down; it was empty anyway. “I still say it’s a bad idea, David George.  I mean it’s not like you could fence the skull. What are we going to do with it afterwards?  We’d be stuck with it. It’d be like stealing the Mona Lisa.”

“That’s not a bad idea, Holt. But it’s already been done.”

I yawned. Like Geronimo, I yawned. The famed Apache hero could, it was said, anticipate future events. He went to the 1904 World’s Fair in St. Louis, sold picture postcards and rode the Ferris wheel and repented that he’d ever surrendered. He should have fought until he was the last man alive. I yawned, but I couldn’t feel my teeth. Whether the future would be better or worse, I don’t know. David George is not able tell me. And I wouldn’t trust him if he did.





Thursday, September 22, 2016

Biblical Limericks: “A Christmas Carol” Is All Wrong


It’s clear that Luke’s gospel was absent
as Dickens penned his Christmas pageant:
spectral emanations
and ghost visitations
won’t be enough to make Scrooge repent.

Luke 16: 31

Friday, November 27, 2015

Biblical Limericks: Jumping Jehosephat!


Assemble from wherever you’re at,
gather before the Lord and fall flat.
Cease your caterwaul;
The Lord will judge them all
including Jumping Jehosephat!

Joel 3:11-12

Jehosephat is one of the “mighty ones” wakened for judgement – thus a ghost. The phrase “jumping Jehosephat” goes back, at least, to the 1865 novel Paul Peabody by Percy Bolingbroke St. John where it is: "By the shaking, jumping ghost of Jehosaphat!”



Tuesday, December 23, 2014

Christmas Carol Limericks: It’s the Most Wonderful Time of the Year


The carol merely inventories
all the various Christmas glories;
a wonderful mood quickens,
but, other than Dickens,
who is telling Christmas ghost stories?






Who’s telling Christmas ghost stories? Me.  – Haunting Herod

Monday, May 19, 2014

More Anomalies A – Z: ‘Ôb


From earthen deeps come loathsome voices
and words not mouthed by human lips or tongue,
for no living breath could carry whispers
such as these, out of the dark, up from dust.

‘Ôb – the revenant spirit of the dead,
this familiar spirit now returned
from ash to ash, from loam and the marlpit
to speak through the gut of a medium. 


The translators of the LXX chose the Greek word engastrimythos (‘one who speaks from the belly’) to translate the Hebrew word ‘ôb.

Friday, March 21, 2014

A Ghost in the Church of All Nations

Church of All Nations photo Churchofallnations-exterior2_zps8a9d9333.jpgThe Church of All Nations (officially named the Basilica of the Agony) in Jerusalem marks the spot believed to be the place Jesus prayed in the Garden of Gethsemane, the place he said, "my soul is overwhelmed with sorrow, to the point of death."    The center altar overlooks a slab of rock, believed to be the very place where Jesus prayed.

The modern building is built over two previous churches - one built by the Crusaders in the 12th century (abandoned in 1345) and the earlier Byzantine basilica (destroyed by an earthquake in 746).

I photographed a ghost while we were there.


Ghost in the Church of All Nations photo churchofallnations1_zps32ccd5bc.jpg

Sunday, November 3, 2013

Ghost Brothers of Darkland County - A Musical of Haunting and Hope


My wonderful wife surprised me last night with tickets to see Ghost Brothers of Darkland County – the musical written by Stephen King, John Mellancamp, and T-Bone Burnett.  Wow – oh- wow, do I love her!  Ghost Brothers combines all of my favorite things – Americana music, gothic horror, theater, and theological explorations. 

The music of the show is a variety of bluegrass, country, rock, gospel, and zydeco songs.  And though my wife (who has an aversion to music that veers towards ‘country / western’) was ‘nervous’ about the accordion, harmonica, and banjo listed in the program, she said that it was much better than she anticipated.  I loved it.  Seriously great tunes!  Especially the songs, That’s Me (sung by a devilish character known as The Shape), Home Again, and What Kind of Man am I?  The gospel number Tear This Cabin Down is powerful – and, along with Home Again – probably suitable for use in church on Sunday.

The play itself bears a striking resemblance to another of my favorite plays – J. B. -a play in verse by the poet,Archibald MacLeish.  J.B. is set in an abandoned circus tent, with has-been actors taking on the roles of God and Satan to tell the story of Job.  Instead of a circus tent however, Ghost Brothers is told through an old-time radio drama (complete with a sound effects crew standing by to create sound of breaking bones, doors slamming, tree frogs and etc…)

Photo from Ghost Brothers of Darkland County home page
An additional similarity to MacLeish’s play is found in the ‘supernatural’ characters representing good and evil, light and dark, God and Satan – They are The Zydeco Cowboy (light) and The Shape (dark).  In the production we saw they were played as a sort of dueling Hank Williams (Zydeco Cowboy) and Tom Waits (The Shape) – a point I liked very much.

Ghost Brothers of Darkland County is a story of brothers – resonating, most obviously, with the story of Cain and Able, but also with stories like John Steinbeck’s East of Eden, and Thorton Wilder’s The Skin of Our Teeth, with nods towards southern authors like William Faulkner and Flannery O’Conner.   But it’s also the story of a father and his sons, and a story about the past, and how the past is passed. It is gone. It cannot be changed. It’s a story about lies and truth that comes too late.  It’s a story about redemption (or the lack thereof) and, despite its ghost story trappings and murderous narrative, a story about hope and moving forward.

This is an odd duck in the world of musical theater – there are no big dance numbers, there’s no orchestra (just a four piece band, right on the stage).  It’s violent.  It’s rough, but also tender and haunting (and not just because of the ghosts…) 




Another point of interest for this geek– the father, Joe McCandless – was played by Bruce Greenwood (recognized by science fiction fans as Captain Christopher Pike in the two most recent Star Trek movies.)

Tuesday, December 6, 2011

When the Dead Speak



She could hear the rumbling of the iron chariots, even at this distance, so when the potter’s long-legged son came running back to the village to report between winded breaths that the Philistine army was camped at Shunem and that they were “as numerous (gasp, gasp) as (gasp) the stars!”  she wasn’t surprised.   The boy may have been prone to the natural exaggeration of youth, but she didn’t doubt that the Philistines were numerous, indeed.  Nor did she doubt the rumblings in the ground.  She’d seen the Philistines in their chariots of iron before.  She had seen them crashing down the countryside, smashing anyone who attempted to stand against them. She knew what those bone jarring vibrations shaking the land meant: they meant death and destruction.

Years ago, the Philistines had been driven out by the army of Israel led by the then newly crowned king of Israel, King Saul.  He immediately conscripted every able bodied man with a sword – and many without swords. They fought with nothing more than the farm implements they carried from home. Untrained and unarmed they might have been but they drove the Philistines out of Israel.  In recent years, however, the Philistines had been encroaching back into their former territories in Israel and King Saul now seemed powerless to stop them. 

The men of her village seemed to think that Saul and his army were gathering near Mt. Gilboa and that a battle between the two forces was immanent.  Many of them were already leaving their fields and taking their pitchforks to join up.  “Israel for Israel,” they shouted.  They hoisted their makeshift weapons into the air and shouted again, “For Israel, King Saul and for God!”

She smiled as she worked; not because she shared their fervor for the defense of the Promised Land but because bloody battles were good for business.  Soon there would be grieving mothers who wanted to speak to their dead sons just once more and wives who wanted to hear one more “I love you,” from missing husbands.  No matter who won the battle - the Philistines with their armored chariots or Saul with his rag-tag conscripts - the families of those who died in the field of battle would come to her.  She was the witch of En-Dor and conjured the dead.

For a fee she could call forth the spirits of the deceased. She could bind them and force them to speak if they proved recalcitrant.  She could charm their secrets from them.  She knew the secrets of necromantic magic.

Necromancy was, of course, outlawed in Israel.  The Torah brought down by Moses from his mountaintop interview with Yahweh had declared that witches and sorcerers should not be suffered to live.  The Law of Moses demanded that necromancers should be put to death by stoning.  However, what the law required and what the people practiced were not always exactly in agreement.  She’d maintained the rites handed down to her by her mother and grandmother and great grandmother, despite the prohibitions of the Torah. 

After his anointing as king over the tribes of Israel by the prophet Samuel, Saul had attempted to bring Israel into compliance with the demands of the Torah by banishing diviners, necromancers, and witches from the land.  And he’d nearly been complete in his efforts.  But with a well placed bribe and the remembrance of conjures of the past, she’d been able to keep her place in En-Dor, though she practiced in secret these days, and always with a suspicious and watchful eye.

The people of En-Dor and its neighboring regions wanted to hear what the dead had to say despite the prohibitions of Moses and Torah.  The dead could describe future events or locate missing treasure.  The dead could give advice to the desperate or comfort the lonely. The dead knew things that the living could not know.  And the people, living people, came to her because she knew the secrets of conjuring up the sprits of the dead.  When the dead speak the living listened; though, as she warned those that came to her, what the dead had to say wasn’t always pleasant or comforting.

She knew the old magic and the old prayers; prayers that were already old when the tower of Babel was left abandoned to collapse untended in the plains of Shinar. She knew conjuring charms that were old even before the world had been wiped clean by the flood that Noah and his family alone survived.  They’d been taught to her by her mother, and her mother had been taught in turn by her mother, and so on back through the years to an obscure past when the Great Mother and her vulture winged attendants had taught them to the first priestesses of settled civilization.

Now she prepared to perform those secret and sacred rites once more.  From a shelf along one of the red-ochre stained walls she gathered a number of clay jars, and placed them on a low wooden table. Each jar was marked with a symbol painted with the same red-ochre that stained the walls.  One jar contained crystallized myrrh, the hardened sap of a tree that grew in the desert peninsula south of Kedar, another held a mixture of powdered spices: cinnamon, clove, coriander, another contained olive oil.  Everything worked better with a little olive oil.  The other jars contained ingredients that were more or less mundane but the last of the jars was unmarked.  It held ingredients without name and passed down in secret through generations of her family. 

In the center of her single room home was a fire pit; dug into the earthen floor.  She removed the iron grate that lay over the pit and arranged an armload of wood for burning. She would need the coals.  With the flames lit and devouring the wood and the rising smoke drifting upward through the hole cut in the ceiling, she replaced the iron grate and went outside.  It would be too hot inside until the sun had set.

The sun had already crossed its zenith in the sky and was descending towards the western horizon.  She had only a few hours before darkness, but that was plenty of time to complete her preparations.  She smiled again thinking of those who would come to her when the battle was over.  Philistia or Israel. It mattered little, to her, who won, except that the Philistines would be more willing to allow her practice.  Dagon, the Philistine god, wasn’t nearly as particular about such things as Yahweh, the deity worshipped by the Hebrews. Dagon laid no prescriptions against divination on his worshippers.

Looking south, toward Mount Gilboa, she considered King Saul and the army rumored to be encamped there.  ‘He’s not much of king, anymore,’ she thought.  Though he started off well enough - routing the Philistines and uniting the often quarreling tribes of Israelites into a cohesive nation - somewhere along the way things began to fall apart for the first king of Israel.  King Saul had lost the approval of the prophet Samuel, and with Samuel, the approval of Yahweh, the god for whom he spoke.   And now, talk among people throughout the country was of one David ben Jesse from the tribe of Judah who would soon replace Saul as king.   His daughter, Michel, had already been given to David in marriage, and his son Jonathan was said to love David at least as much as the women of Israel who sang David’s name in the streets as they danced with their tambourines.  “Saul hath slain his thousands, but David his tens of thousands.”

She finished gathering the necessary materials and returned to her home before nightfall. 
The glowing red coals shimmered beneath the iron grate.  All would be ready when they came.  She was prepared.

***   ***   ***

A pounding on the door woke her.  She lurched, frightened, from the pallet of straw where she slept.  The room was dark except for the still glowing coals.  Another pound on the door rattled the shelves along one wall.

“Yes. Yes.” She called out. “Allow an old woman a moment to gather herself.”

She lit an oil lamp to illuminate the room and shadows flared.  Through the ventilation opening in the ceiling she could see the crescent moon like the curved horns of some celestial bull in the sky.  It was late in the night, but still too early for any of the battlefield victims’ families to have come to her.  The battle wouldn’t be engaged for another several hours, at least.  She was wrapping a scarf around her head when the door was banged again.

“You are impatient” she said as she unfastened the bolt that held the door secured.  She opened the door.  Outside, in the dim light of the waning moon, stood a bearded man, tall and muscular.  A sword was strapped to his waist with an ornamented leather belt.  Yet, despite his size and build, he was shuffling nervously; glancing behind him, looking to see if he’d been followed or observed. She hesitated briefly before inviting him inside.  It was unlikely that this was a trap, but still, witches were sometimes burned in Israel.

She closed the door behind him and refastened the bolt.  “Visitors in the night are often unwelcome,” said the witch. “They bring trouble.”  She lit another lamp and the shadows in the room danced wickedly. The horns of a bull mounted above the door cast long curved shadows like sickles across the room.  The stranger flinched from the light as she held the lamp high to examine him. 

“I mean you no harm,” said the man.

“You may not, “she said before pausing to examine his face.   “You may not intend any harm, but I can see that death follows you, and I’d rather he not come through my door this evening.”  She paused again.  “Your face is familiar, even though you’ve tried to disguise yourself.  And your sword and belt betray your peasant outfit.  Who are you?”

The man quivered where he stood; his knees buckled.  “Please,” he said.  “I need your help. I need you to disclose the future to me.” 

She continued to stare at him. “How do you suppose I could do that?  I am just an old woman.”

“By means of a spirit.  I know that you are the witch of En-Dor.  You can conjure the one I name to you.”

The witch woman lowered her lamp and retreated across the room.  “You must know that King Saul has outlawed divination and banished wizards from the land.  Were I to do this for you I could be killed.  Are you trying to lay a trap for my life?” she hissed.

“I swear,” said man, “I swear by Yahweh, the living God, that nothing will happen to you because of this.”  When she still hesitated, he drew a pouch from his robe and tossed it to her feet.  The coins inside clanked harshly in the silence.  Stooping down, she swept the coin purse off the ground and into a fold of her garments with a startling swiftness.

“All right visitor in the night,” she said. “Whom shall I conjure for you?”

The stranger lowered his eyes and starred at the dirt floor. When he finally whispered his answer it was with the hesitancy produced by guilt and fear.  “I need to speak with the prophet Samuel.”

The light of the smoldering coals and the flickering lamps reflected bright in wide eyes of the witch woman.  “Samuel!” she spat.  “No one would dare call for that departed prophet but King Saul.  You are the king, aren’t you?  Why does the king who drives mediums and wizards out of the land come to the witch of En-Dor in the dark of night, disguised and distressed?   What do you want?”

“Please,” said the ashen faced king.  In the reflected red light of the witch’s room he appeared skeletal and rotted.  “While he was alive, the prophet spoke for the living God, and Israel prospered. And since his death, Yahweh has been silent.  I am desperate now; desperate for his words.  I need help that only the prophet can give me, and only you can contact him.”  The king begged, “Please, conjure up the spirit of Samuel, the prophet.”

After a moment she nodded. “Do not speak,” she said to Saul.  “I will conjure up the spirit of Samuel for you, but you must remain silent.”  Saul sat cross legged on the ground and nodded.  The witch began her rite in silence.

From the jars she’d laid out earlier she drew out various measurements of the aromatic powders and mixed them together in a copper bowl.  From another clay flask she poured out a measure of oil which she used to mark her forehead and the forehead of the king.

“Keep your silence,” she warned him when he opened his mouth. Saul obeyed, but chewed the inside of his lip in frustration.

She held her right hand into the air and flashed a three fingered gesture toward the moon visible through the ventilation opening in the ceiling, then swung her arm down toward the pit and repeated the gesture.  With her left hand she drew out a pinch of the mixed powder at the four cardinal points around the pit.  A second time she made the hand gesture toward the moon and the fire pit and sprinkled the powder into the coals.  For a moment the coals flared up in blue flames. 

A third time she raised her hand toward the moon and flashed the same three fingered gesture.  Then, speaking a low deep voice, she uttered the secret words taught to her by her mother.  She carefully poured out the contents of the unmarked jar over the coals.  Immediately a stench like rotted meat and orchids filled the room as heavy smoke billowed up from the pit.   The thick smoke rolled through the room instead of floating upwards and out the opening in the ceiling.  King Saul rocked backwards, away from the pit, choking on the smoke, but the witch of En-Dor continued her incantation.

These were the words of an old and nearly forgotten language.  She knew them well.  They had been taught to her by her mother, who had learned them from her mother, but tonight they sounded wrong in her ears; they felt wrong as they flew from her lips and tongue.  She paused to breathe and re-center herself.  It was the presence of King Saul that was making her nervous; that was all.  But the words stumbled from her tongue like a crippled dog.  There was no magic in them tonight.  They were empty. Something was growing.

Suddenly the witch woman shrieked and scrambled backwards across the dirt floor.

“What is it?” Saul shouted as he jumped to his feet. “What do you see?”

“I see a spirit rising from the depths of the earth.  He comes from sheol, the realm of the dead.”  This wasn’t right. She hadn’t finished the incantation.  She hadn’t yet called for the spirit but already a spirit appeared.

“Who is it? Is it Samuel?” asked the king; fearful and impatient.

The figure of a man began to take shape in the rolling clouds of foul smelling smoke.  “He is an old man wrapped in a cloak,” said the witch.  She opened her mouth to say more, but just then a voice spoke from the cloud of smoke.

“Why have you disturbed my rest?” said the voice of Samuel, and Saul recognized his voice – that voice that had so often comforted and directed him now terrified him.  Saul flung himself to the ground.

“Samuel, I need your help. I am in danger, great danger. The Philistines have gathered to invade and God has rejected me.  He will not speak to me.  Tell me, Samuel, what should I do?”

The smoke continued to billow up from the coals in the pit.  The oil lamps scattered around the room flickered and snuffed out; their smoldering wicks added more smoke to the already oppressive cloud that filled the room.

“Ever foolish, Saul, you are seeking among the dead for the voice of the living God,” thundered the voice of the prophet from within the smoke. “If he has abandoned you, Saul, what can you do?  If Yahweh has become your enemy, what can I do for you?”

Saul lurched forward on his knees with his hands stretched out into the smoke, “Please, Samuel.  Tell me what I should do.  Advise me, as you did before.”

The spirit shape within the swirling cloud seemed to swell in size.  “There is nothing more to say than has already been said.  Because you disobeyed him, the Lord of heaven has rejected you as king of Israel.  Your kingdom will be given, instead, to David.  And, what is more, tomorrow the Lord will deliver Israel into the hands of the Philistines.  You and your sons will die in the battle.”

Saul wailed and beat his fists against his furrowed brow. “Is there nothing else?  Is there no other way?”

The figure in the cloud was already fading. “Tomorrow, you will be with me.”

The sound of a great wind filled the room and the oppressive smoke rushed out into the night sky, obscuring the moon and stars.  Saul collapsed in a heap upon the floor of the witch’s house, sobbing for all that he’d lost and all that he would lose by the time the sun had reached its next zenith over the battlefield.   The witch woman covered him with a blanket.  She could give him no comfort.  The dead had spoken.

Wednesday, October 12, 2011

Arang: Seeking Justice in a Wondrous Strange Universe


You remember that scene in Hamlet, right?  After having seen a ghostly figure stalking about the castle parapets Hamlet tells Horatio that:

“there are more things in heaven and earth, Horatio
 than are dreamt of in your philosophy.”[i]

Horatio, like his good friend Hamlet was a student at the University of Wittenberg, a noble bastion of Protestant humanism.  They would have been students of a classical education, studying ethics, logic, natural science, and of course philosophy and theology.  This sort of rational, logical, scientific study left little time for superstitions and ghost stories. 

I’ve had no personal experience with a ghost, much to my continued disappointment.  I have never heard the shriek of a banshee, been thrown across the room by a poltergeist, witnessed an apparition from the etheric plane, or found ectoplasmic residue from a spiritual encounter.  But I’ve always believed in ghost stories, or at least I’ve wanted to believe in them. Like agent Mulder and his UFO’s, I’ve wanted to believe in the strange and inexplicable all my life.

The world is a strange place but most of the time it makes sense, most of the time the world behaves in an orderly and predicable manner.  Scientists would have a difficult time if their experiments produced different results every time without a rational explanation. We live, as we do today, with electricity and internal combustion engines and chemical pharmaceuticals and etc… because the world behaves in a rational and orderly and predictable way.  Usually…

But we’ve all heard those stories. A friend of a friend heard a voice speaking to him in that empty house or so-and-so’s great grandmother got off the Titanic at the last moment because she felt a presence warning her not to go.  We’ve heard stories about haunted houses and strange happenings and we wonder.  Maybe you’re like me and you’ve wanted to believe that they might be true.  Maybe you hoped, as I did, that some of those stories might be true.

But at some point people tried to tell me, for my own good – of course, that ghosts and vampires and other assorted supernatural lore are not appropriate material for a Christian young man to study.  Ghosts, I was told, were nothing more than demonic spirits masquerading as departed spirits in order to lure people into the occult.[ii]  There was no room for a wondrous strange world.  And there was no room in my instructors’ philosophy for ghosts.[iii] 

And, for a time, I believed them.  I tried to put away those childish things, but I began to wonder.  Stories and legends about wraiths and ghosts are numerous and varied  but it seemed to me that most of the stories about ghosts involved departed spirits lingering in this physical world for one of two things (and sometimes both).  Either spooks and haints haunted a place seeking justice for a wrong committed upon them while they were alive or they haunted a place were a great and terrible tragedy occurred.  And if ghosts are nothing more than demons trying to lure us into a diabolical snare – why do they so often seem to be trying to find justice in this world – if not in the next? 

But, as I said, I’ve never had a personal encounter with a ghost, demonic or otherwise.  To this point it’s all been stories from a friend of a friend of a friend or something I’ve read,

or a movie that I’ve watched.  And since I’m watching a horror movie every night this month[iv] it was inevitable that I would eventually watch the movie version of a ghost story.  Arang (2006) is my first ghost story this month. 

It’s also my first Korean horror film. And as such there was a lot in the film that was difficult for me to understand.  Filmmakers (and storytellers in general) make certain assumptions about what their audience knows or doesn’t know.  If I tell you a story about my family loading up the station-wagon for a summer vacation visit to my great-grand parent’s home in Kansas I probably don’t have to explain to you the idea of summer vacations, Kansas, or station-wagons (unless you’re under twenty years old and you’ve only ever known the station-wagon’s marginally cooler cousin, the mini-van…).  These are things that we understand together.  But if someone in my audience was unfamiliar with these things, the story would be more difficult for them to understand.  It wouldn’t be impossible; visiting family and being cooped up with others for long and difficult travel are probably universal enough that anyone anywhere can understand them even with cultural differences but it might be difficult.

And that’s how watching Arang was for me. 

It probably would have helped if I’d have known the legend of Arang before watching the movie.  The Legend of Arang is a fairly well known ghost story – at least in Korea – but I had to look it up.  Thank God for the internets…

It is the story of Arang, the daughter of a city magistrate.  A servant in her father’s house conspired with her wicked nanny to seize and rape Arang. But Arang resisted and the servant stabbed her death and hid the body.  Her father, thinking that she had either eloped with a stranger or that she had been abducted, resigned his position in shame and spent the rest of his life trying to find her.  Newly appointed magistrates were visited by the ghost of Arang, who pleaded with them to find her murderer.  But the visit was so frightening that they all died from fear.  Soon no one was willing to take the position.  But at last a bold and good man was appointed to the post and he promised Arang’s ghost that he would seek out justice for her. He found the wicked servant, arrested him and had him executed.  And after that Arang’s spirit ceased to haunt the town.

Maruyam Okyo's painting
The Ghost of Oyuki
It’s a pretty typical ghost story, and one that we’ve probably heard before with a different name and with different details.  So it’s not as if the story was completely foreign to me.
But it’s the details that differ.  If you’ve seen the recent American versions of Japanese[v] horror films like The Ring (2002) (based on Ringu) or The Grudge (2004) (based on Ju-On) you’ve seen a pretty typical example of a Japanese ghost – the pale skin, white robe, and the long disheveled dark hair.  These are things that the Korean audience of Arang would notice immediately. 
But even with the cultural gap, the story plays well.  It is one part ghost story and one part detective thriller.  After a series of bizarre deaths two police detectives, So-young – a young but experienced woman with her own intense reasons for becoming a police officer – and Hyung-gi, her new and naïve partner – realize that in order to solve the mystery they’ll have to investigate a 10 year old crime.

To say more would be to give away the story and I don’t want to do that.  I encourage you to watch the movie and to experience it for yourself. 

The bible really says very little about ghosts.  To insist with dogmatic certitude that they are nothing more than demonic lures goes beyond what the bible actually says and leaves us in world without the potential, at least, for the wondrous and strange things of this queer universe.







[i] Hamlet Act I Scene v
[ii]  Citing 1 Timothy 4:1 " [they] come to deceive people and draw them away from God and into bondage."
[iii]  They wouldn’t have agreed Hamlet or with the British geneticist / evolutionary biologist J.B.S. Haldane who said, “...it is my suspicion that not only is the universe queerer than we suppose, it is queerer than we can suppose.” 
[v]  Yes. I am aware the Japanese and Korean cultures are different.  But they are more similar than American and Korean… 
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